Introduction Of 2024 Prize Winners
First Prize XI Yuan
Title: History After the End: on Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s
Exhibition: Multiple Realities: Experimental Art in the Eastern Bloc, 1960s–1980s (Phoenix Art Museum)
Xi Yuan is currently a Ph.D. candidate of Department of Sociology at University of Virginia. His primary research areas include cultural sociology, historical sociology, and political sociology, with a core theoretical focus on explaining “why people are willing to believe.” His early research was in the field of sociology of education, focusing on issues such as teacher-student relationships and school policies, with related articles published in Higher Education Review, Journal of Education, and Asia Pacific Education Review. His recent main research addresses the political system and political culture changes in China, analyzing state-building and legitimacy construction at different historical stages in China. His secondary research focuses on popular culture, exploring the impact of emerging technologies like artificial intelligence in fields like art and divination. Xi has presented his work at multiple academic conferences and has received funding support from various institutions at the University of Virginia. Additionally, he has independently or collaboratively translated works such as The State as a Conceptual Variable, Comparing Civilizations and Multiple Modernities, and Religion and the Rise of Western Culture, with related translations in preparation and review.
 
 
Joint Second Prize Dylan Huw
Title: Seeing unclearly: on Nebula
Exhibition: Nebula (Complesso dell’Ospedaletto)
Dylan Huw (b.1996, Aberystwyth) is a writer and collaborative practitioner living in Caernarfon, north-west Cymru/Wales. He was the journal editor for Artes Mundi 10, and writes widely about contemporary art and cinema, with a particular focus on artists' film and video in circulation, for Artforum, Frieze, e-flux Criticism, Art Monthly and others. A former Visual AIDS Research Fellow (2023), Flaherty Curatorial Fellow (2023), Future Wales Fellow (2022-3) and Jerwood Writer in Residence (2022), his work is invested in rehearsing a poetics and praxis of provisionality, translating across languages, disciplines and modes of reception. He has a BA in Liberal Arts from King's College London and an MA in Contemporary Art Theory from Goldsmiths, University of London.
 
 
Joint Second Prize WANG Ru Xuan
Title: A Hybrid Narrative of Surface-Interior Twins: On Three Episodes of Mourning Exercises
Exhibition: Three Episodes of Mourning Exercises(Argos Centre for Audiovisual Arts)
Wang Ruxuan, born in 1994, graduated with a master’s degree from the Department of Fine Arts at Taiwan University of Arts. He is currently an artist and an editor at Art Temper. Wang is based in Taipei, where he both creates and resides. His exhibition history includes a little fable (2022, Zone Art, Taoyuan), 5F, No. 18 (2023, 80 A Gallery, Taipei), Next Door: A Group Exhibition by Lin Junda, Wang Ruxuan, and Chen Yanchi (2023, National Tsing Hua University, Hsinchu), and Story Teller (2024, WMM Untitled, Taipei).
 
 
Joint Second Prize Louis Shankar
Title: ‘oh inch of nature!’
Exhibition: When Forms Come Alive: Sixty Years of Restless Sculpture(Hayward Gallery)
Louis Shankar is a writer, researcher, editor, and teacher based in East London. They recently completed a PhD on the late art of David Wojnarowicz at UCL. They are an editor at The BitterSweet Review, a magazine of new queer writing. They are working on their first book.
 
 
10
CENG Yuting
Title: Random Thoughts: Impossible to Cut Off, Impossible to Put in Order
Exhibition:Annette Messager: Desire Disorder(Shanghai Power Station of Art)
CHEN Shuyu
Title: Masks, the Mind’s Eye, and Mirror Games
Exhibition:Liminal(Punta della Dogana,Pinault Collection)
KONG Peng
Title: Cao Yu’s Theatre of the Body
Exhibition:Cao Yu: Septic Tank(Galerie Urs Meile Beijing)
LIAO Shuting
Title: Endless Judgment: Coming and Going in a Gravitational Arena
Exhibition:Gravatational Arena(Shanghai Pudong Art Museum)
LIU Yuhan
Title: The Witch’s Network of Desire — Annette Messager
Exhibition:Annette Messager: Desire Disorder(Shanghai Power Station of Art)
LUO Yifei
Title: Li Lang: ‘The Third Temporality’
Exhibition:Li Lang: ‘The Third Temporality’(Xiezilong Image Art Museum)
QIU Yun
Title: If We are Close Enough, You Will Finally Hear Me
Exhibition:Soft Target(Künstlerhaus Dortmund,)
WANG Youyou
Title: Leaky Variations
Exhibition:Yuko Mohri: Moré and Moré(Aranya Art Center)
XU Chujun
Title: Images That Are (Not) There: Là at S.M.A.K.
Exhibition:There (S.M.A.K)
 
 
10
Adrian Gouet
Title: Twilight Memory: The Chilean Chapter of Alfredo Jaar
Exhibition:The Dark Side of the Moon (National Museum of Fine Arts)
Dylan Lackey
Title: Lacan's Sinthome
Exhibition:Lacan, L’Exposition: Quand l’art rencontre la psychanalyse (Centre Pompidou-Metz)
Gavin Garnett
Title: Unframed Travels---Yeondoo Jung: One Hundred Years of Travels
Exhibition:Yeondoo Jung: One Hundred Years of Travels (National Museum of Modern and Contemporary Art, Korea)
Li Yizhuo
Title: Revolutionary orbits
Exhibition:Genossin Sonne (Comrade Sun)(Kunsthalle Wien)
Maria Walsh
Title: Writing with Expanded Access in Sarah Browne's Buttercup: A Two-Part Response
Exhibition:Exhibition: Sarah Browne: Buttercup (Sirius Art Centre)
Mariana Fernández
Title: Dead Time
Exhibition:Cally Spooner: Deadtime, an anatomy study (Graham Foundation for Advanced Studies in the Fine Arts)
Paul Han
Title: From Escapism to Engagement Cao Fei’s ‘Tidal Flux’ as a Testament to the Predicament and Left-Wing Melancholia in Chinese Contemporary Art
Exhibition:Cao Fei, Tidal Flux (Pudong Art Museum)
Sabrina Moura de Araujo
Title: Chambers of Memories
Exhibition:Orhan Pamuk. The Consolation of Objects. (Lenbachhaus)
Tara McEvoy
Title: Clear enigmas
Exhibition:Burning Desires (Unit)
 
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