Introduction to the 2025 Award Winners
First Prize SONG Hailing
Title: Temporary Sensory Politics: On ‘Annika Yi: Another Evolution’
Exhibition: Annika Yi: Another Evolution (UCCA Beijing)

Song Hailing, born in Guang'an, Sichuan, currently a PhD student in Fine Arts at Sichuan Fine Arts Institute. He was granted his Master’s degree in Art Theory from the Sichuan Fine Arts Institute in 2024. His research areas include Western modern and contemporary art theory, art criticism, he also looks into contemporary sculpture and installation, visual culture studies. 

He contributed to the compilation of the Annual Review of Chinese Contemporary Sculpture. He is the executive curator for exhibitions such as ‘Generative Light & Convergent Fields—Invitational Exhibition of Young Artists from Sichuan Fine Arts Institute’ and ‘Chongqing Artists Archive series exhibition: Rhetoric—Cao Jingping Solo Exhibition’ . He joined the curatorial team of Chengdu Biennale 2025, and was selected for the “Young Curator Program” of Sichuan Fine Arts Institute Museum.

 
 
Joint Second Prize Charles Pickstone
Title: Death's secretary: Hamad Butt at the Whitechapel Gallery
Exhibition: Hamad Butt: Apprehensions (Whitechapel Gallery London)
Charles Pickstone is an art critic and theologian. For fourteen years art critic for The Month, he has also written for Apollo, The TLS, Modern Painters, Church Building, Art & Christianity, Art Monthly, The Times, the Guardian, Church Times, Galleries Magazine and the U.S. journals Image and ARTS. Academic publications include articles in Critical Quarterly, Theology, Modern Believing, and World Faiths Encounter and he has contributed chapters to a number of books on art and theology in English and Italian, and to encyclopedias including Christianity: a complete guide and the revised edition of the Oxford Companion to Christian Art. His book on art, religion and sex, For Fear of the Angels, was published by Hodder (US Edition: The Divinity of Sex, St Martin’s Press). He currently has a regular column in S(h)ibboleth and is on the editorial board (and is a regular contributor) of Art & Christianity. He is a board member of AICA-UK.
 
 
Joint Second Prize Yidan Karel Li
Title: Please Wear a Bucket: The Politics of Sound and Curatorial Experimentation in ‘Resonance Never Demagnetizes’
Exhibition: Resonance Never Demagnetizes: Sound Practice in Chinese Mainland and Hong Kong Since the 1990s (Inside-Out Art Museum Beijing)

Yidan Karel Li is a PhD researcher in Media Studies at SOAS, University of London, working under a European Research Council (ERC)–funded project on Global China in Europe, with fieldwork based in Paris. Her research examines how Chinese fashion capital, media practices, and cultural actors participate in forms of aesthetic governance and urban visibility, reshaping urban imaginaries and cultural infrastructures in contemporary Paris. Trained in environmental design at CU Boulder and architecture and curatorial studies at Columbia University GSAPP, she works at the intersection of architecture, media, urban anthropology, and visual culture. She has previously conducted field research in West Africa, East Africa, and East Asia, exploring questions of infrastructure, aesthetics, and global circulation. 

Yidan works across academic writing, criticism, curatorial projects and research-based artistic practice, and is actively investigating how images, platforms, and spatial narratives function as tools of cultural power in transnational urban contexts.

 
 
Joint Second Prize Giorgia Aprosio
Title: Thinking the Deep: On Julian Charrière’s Midnight Zone
Exhibition: Julian Charrière: Midnight Zone (Museum Tinguely Basel)

Giorgia Aprosio is an art writer and independent curator. She holds a Master’s degree in Visual Cultures and Curatorial Practices from the Accademia di Belle Arti di Brera, Milan. After graduation, she was awarded the scholarship for young curators and critics by the Fondazione Adolfo Pini, and she furthered her studies with advanced training at the Royal College of Art, London. 

As an art writer, she collaborates with Il Giornale dell’Arte, the Italian edition of The Art Newspaper, where she has a recurring column dedicated to conversations with artists, with a particular focus on contemporary painting. For Domus, she contributes as a contemporary art specialist, covering exhibition reviews, fairs, events, news, and projects that connect art with design, architecture and cultural history. She has also published occasionally for Vogue Italia. 

Alongside her writing, she is in charge of exhibition production and programming for the under-35 program at Galleria Poggiali, Milan, which supports Italian and international artists by producing and hosting their first solo exhibitions in Italy. She is also the curator of Una Camera (tutta per sé) at the Casa delle Donne di Milano, which in its 2024 edition featured ten women artists from different international backgrounds and focused on the relationship between feminism and moving images. In the same year, she curated Procedimenti, the inaugural exhibition of the archive of late Italian artist Bruno Di Bello, and continues to be engaged in the long-term project of valorizing his oeuvre.

 
 
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CHEN Junjiang
Title: Beauty as a Temporary Respite from Festering: On the Pathological Poetry in Stingel’s New Works
Exhibition:Rudolf Stingel: Vineyard Paintings (Gagosian Gallery, London)
GAN Miaoxin
Title: Seeking Wabi-Sabi in a Universe of Ruins: A Review of Kiefer’s “Solaris” Exhibition at Nijō Castle
Exhibition:Anselm KIEFER: Solaris (Nijō Castle, Kyoto)
HONG Yin
Title: Double Information Cocoons: An Eastern Apocalypse
Exhibition:Silken Radiance—LIANG Shaoji’s Liangzhu Dreamscape (Liangzhu Museum Zhejiang)
JIN Zuoning
Title: Harmonic Noise-Making: Auditory Politics and Noise Resistance in GAO Lei’s “Other Mountains”
Exhibition:GAO Lei: Other Mountains (ShanghART Gallery, Shanghai)
YANG Qinning
Title: Awakening in Recursion: The Paradox of Poetic Topology in LI Jinjun’s “The Sun Lingering over West Lake”
Exhibition:The Sun Lingering over West Lake (By Art Matters, Zhejiang)
ZENG Jiujian
Title: Theaster Gates—Guerrilla Archiving: Tracing the Civil Rights Legacy of the Black Panther Party from ‘Captain America 4’
Exhibition:1965: Malcolm’s Winter: Translation Exercise (White Cube, London)
ZHANG Huimin
Title: Fables Behind the Silicon Curtain
Exhibition:PU Yingwei: Red Computer (Hive Center for Contemporary Art, Beijing)
ZHAO Jianyi
Title: Disturbance in the Sensory Order
Exhibition:Clara HOSNEDLOVÁ: Embrace (Hamburger Bahnhof)
 
 
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Sean Ashton
Title: Harder , Faster , Better , Stronger
Exhibition:Harder, Better, Faster, Stronger (Stephen Lawrence Gallery)
Echo Meredith Callaghan
Title: Conceptual patterning black cells under a microscope
Exhibition:Donald Rodney: Visceral Canker grapples(Whitechapel Gallery London)
Rui G. Cepeda
Title: Brazil! Brazil! The Birth of Modernism
Exhibition:Brazil! Brazil! The Birth of Modernism (Royal Academy of Arts London)
Jeroen van Dooren
Title: Between Poetics and Critique: Austin Iver s’s A cobalt sea and above it a cobalt sky in the Age of Vapor wave Curating
Exhibition:A cobalt sea and above it a cobalt sky (Transformation Gallery London)
Leith Mzahim Khudhyer
Title: Bearing Lines: Shilpa Gupta’s Quiet Acts of Crossing Exhibition: Shilpa Gupta: Lines of Flight
Exhibition:Lines of Flight (Ishara Art Foundation Dubai)
Milica Pekić
Title: Today is the tomorrow of yesterday. Today is the yesterday of tomorrow
Exhibition:Being Political (Cultural Decontamination in Belgrade Serbia)
Arlinda Shtuni
Title: The Art of Return: Notes from the Foreground
Exhibition:Technically Speaking: Edvard Munch and the Legacy of Prints (Harvard Art Museum)
Hur Yurim
Title: Unseeing as Resistance: Non-Visual Aesthetics in Seeing in the Dark
Exhibition:Seeing in the Dark (Busan Biennale 2024)
 
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