Introduction Of 2020 Prize Winners
First Prize Eugene Yiu Nam Cheung
Title: Aftermath: Lessons in Futurity from Lawrence Abu Hamdan
Exhibition: Lawrence Abu Hamdan on YouTube

Eugene Yiu Nam Cheung is a writer based in Berlin, and founding editor of institutional critique platform Decolonial Hacker. He studied art history, gender studies and law at the University of Sydney, and is currently the curatorial assistant at the Julia Stoschek Collection.



 
 
Joint Second Prize Peter S Brock
Title: The Rock
Exhibition: The Rock
Peter Brock is a visual artist and writer based in Brooklyn, NY. His work addresses the hopes and desires that structure our representations of nature. He works in painting, sculpture, video and installation. Recent exhibitions include Rerun, Root Canal, Amsterdam; The Quadrangular Sky, Fastnet, Brooklyn; The Dying Sun, Calle Cedro 327, Mexico City; More Science Less Fear, 83 Pitt Street, New York; and Neueroffnung, Federico Vavassori, Milan. His art criticism has been published in Texte Zur Kunst, The Brooklyn Rail and Frieze. Brock earned an MFA from Bard College in painting and was a guest student at the Staedelschule in Frankfurt, Germany. 
 
 
Joint Second Prize Wang Kaimei
Title: Even the Air Smells Sweet
Exhibition: Forget The Horizon
Kaimei Wang is an independent curator, art writer and translator based in Shanghai. She graduated from Beijing Normal University, Stockholm University and holds a master degree on study of contemporary art at the Sotheby’s Institute of Art. She writes frequently diverse art-related issues for various media both in China and overseas. She is the co-writer of a book on contemporary painter Ding Yi published by Lund Humphries in London on March, 2020. Her research of interest covers film, photography and painters in relation to art history. 

She has curated Swedish artists‘ exhibition “The Weather War” in Shanghai Minsheng Art Museum; Chinese photographer Chen Man’s exhibition “Fearless&Fabulous”in Fotografiska Museum in Stockholm and Ingmar Bergman photography exhibition in Shanghai. Her translation work “Ingmar Bergman Essay Collection”from Swedish to Chinese will be published in 2021. 

 
 
Joint Second Prize Zhang Hao
Title: The Intermediary’s Approach
Exhibition: Gerhard Richter: Painting After All
I graduated with B.S. in Biology from Peking University. In 2013, my track was changed and I started the successive postgraduate and doctoral programs of study at the School of Humanities, Tongji University, and currently I am a doctoral candidate majoring in Philosophy of Art. My main interests contain philosophy of art, theories and practices of modern and contemporary art in Europe and the United States, as well as translation of relevant art texts. In 2015 and 2017, as a visiting student, I successively studied in the Department of English and American Studies at Humboldt-Universität zu Berlin and the Graduate Institute of Art History at National Taiwan Normal University for a total of one year. From September 2017 to September 2019, I was selected into the joint training program of government-sponsored doctoral students and studied in the Department of Art and Visual History at Humboldt-Universität zu Berlin. I like to be a “common viewer” and explore possible ways to keep returning to the art scene, and the work of art often provide more effective information than the words of its producer.
 
 
7
Fan Rui
Title: The Builders of the Future: Technology, Algorithms, Super-materiality
Exhibition: Immaterial / Re-material: A Brief History of Computing Art
Gu Qianfan
Title: Rem Koolhaas’ Many Questions About the Countryside
Exhibition:Countryside, The Future
Hong Ying
Title: Mountain Moors: “Waiting from White Arts: Richard Lin” and a Meeting Between Celan and Heidegger
Exhibition:Richard Lin ‘Waiting from White Arts’
Jiang Yiwei
Title: Family History, Capital and Art in the Rear Window
Exhibition:Li Qing ‘Rear Window’
Liu Tian
Title: Meditations in an Emergency, or an Auschwitz Moment: Questioning Art and Criticism
Exhibition: Meditations in an Emergency
Song Qisen
Title: Sensationalizing the Countryside: Another Gimmick?
Exhibition:Countryside, The Future
Yang Ru
Title: Rethinking Boundaries: Francis Alÿs’ Solo Show “Wet feet_dry feet: borders and games”
Exhibition:Wet feet_dry feet: borders and games
Zhang Yaxuan
Title: Following the Path Provided by Lockdown
Exhibition:Kunsten festival des arts
 
 
7
Adeline Chia
Title: Forked Tongue
Exhibition:Primeval Codes
Adrian Gouet Hiriart
Title: Oblivions are just things to overcome, after all
Exhibition:Gran Sur: Contemporary Art from Chile in the Engel Collection
Ben Eastham
Title: The Seventh Continent
Exhibition: 16th Istanbul Biennial
James Tabbush
Title: We Want to Believe
Exhibition: The Botanical Mind
Kamayani Sharma
Title: Blood and Paper: Zarina and the Currencies of Violence in India
Exhibition:Zarina - A Life in Nine Lines
Patrick J. Reed
Title: Aw, Phooey! Il Ghirigoro at Pio Pico, Los Angeles
Exhibition: Il Ghirigoro
Sophie Haigney
Title: This is not an apple,’ or is it? : On Trevor Paglen’s “From ‘Apple’ to Anomaly’"
Exhibition: “From ‘Apple’ to Anomaly’"
Tallulah Griffith
Title: Breathing Life into: Plants, Archives, and People in Responsive Space
Exhibition:Responsive Space
 
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